How can you change something if you won’t even acknowledge its existence, or if you downplay its significance? White supremacy is the great silence of our world, and in it is embedded much of what ails us as a planet. The silence around white supremacy is like the silence around Sauron in The Lord of the Rings, or the Voldemort name which must never be uttered in the Harry Potter novels. And yet here’s the rub: if a critique of white supremacy doesn’t first flow through you, doesn’t first implicate you, then you have missed the mark; you have, in fact, almost guaranteed its survival and reproduction. There’s that old saying: the devil’s greatest trick is that he convinced people that he doesn’t exist. Well, white supremacy’s greatest trick is that it has convinced people that, if it exists at all, it exists always in other people, never in us.
Junot Díaz on race, gender and fiction in the Boston Review.
Reblogged from thepoliticalnotebook with 1,071 notes / Junot Díaz Politics Racism Opinion Gender Interview
In an interview with SPIEGEL, Harvard economist Kenneth Rogoff, 58, says it was a mistake to bring all the southern European countries into the common currency. He also argues that Greece should be granted a “sabbatical” from the euro and that a United States of Europe may take shape far sooner than many believe.
I’ve been doing this for thirty years. You keep pushing and you make their life hell.
Interview with an entire family of Egyptian revolutionaries and activists, many of whom have been to prison on several occasions.
JULIAN ASSANGE: THE ROLLING STONE INTERVIEW
“If the Pentagon is to have its way, it will be the end of national-security journalism in the United States.
How so?
They’re trying to interpret the Espionage Act to say that any two-way communication with a source is a collaboration with a source, and is therefore a conspiracy to commit espionage where classified information is involved. The Pentagon, in fact, issued a public demand to us that we not only destroy everything we had ever published or were ever going to publish in relation to the U.S. government, but that we also stop “soliciting” information from U.S. government employees. The Espionage Act itself does not mention solicitation, but they’re trying to create a new legal precedent that includes a journalist simply asking a source to communicate information.
[..]
What advice do you have for journalists, based on your experience?
I have a lot of sympathy for journalists who are trying to protect their sources. It’s very hard now. Unless you’re an electronic-surveillance expert or you have frequent contact with one, you must stay off the Net and mobile phones. You really have to just use the old techniques, paper and whispering in people’s ears. Leave your mobile phones behind. Don’t turn them off, but tell your source to leave electronic devices in their offices. We are now in a situation where countries are recording billions of hours of conversations, and proudly proclaiming that you don’t have to select which telephone call you’re intercepting, because you intercept every telephone call.”
Reblogged from criminalwisdom with 73 notes / Wikileaks Opinion Interview Julian Assange Journalism Long Reads
![brooklynmutt:
I also think that the diffusion of the media has complicated things. For example, I was just watching — I don’t know if you heard what I said in the other room — I was just watching MSNBC, and they had a woman that used to work for me and a couple of other people on there, and they were talking about the Republican primary. And I was laughing. I said, “Boy, it really has become our version of Fox.” And I say that because think of the economics of running cable channels. Suppose you and I bought a cable channel, and he [pointing] bought another. You know that to make a living out of it, you’ve got to get about eight hundred thousand viewers for all your major programs. So you can get eight hundred thousand, and you won’t be as wealthy as Fox, but you’ll do okay. And now if you get a slice that’s that small and still viable — and you know it’s not like when we just had NBC, CBS, and ABC. That’s all there was. Everybody had enough market share that they knew would guarantee some comfortable level of profit. And yet there was enough competition that everybody could keep each other honest, and when the Vietnam War came along, they could send fifty-five-year-old reporters to Vietnam for extended stays. They could afford to have correspondents in Europe to report. Correspondents in Asia. All that’s changed now. And so the good news is you can get a lot of information off the Internet for free and in a hurry. But I think the breaking up of the media, which is otherwise kind of healthy, has contributed to less actual reporting and a louder, more contentious, more divisive public discourse, highlighting conflict, sometimes falsely.
Bill Clinton Interview 2012 - Esquire](http://25.media.tumblr.com/tumblr_ly17ybD4k51qz80pso1_500.jpg)
I also think that the diffusion of the media has complicated things. For example, I was just watching — I don’t know if you heard what I said in the other room — I was just watching MSNBC, and they had a woman that used to work for me and a couple of other people on there, and they were talking about the Republican primary. And I was laughing. I said, “Boy, it really has become our version of Fox.” And I say that because think of the economics of running cable channels. Suppose you and I bought a cable channel, and he [pointing] bought another. You know that to make a living out of it, you’ve got to get about eight hundred thousand viewers for all your major programs. So you can get eight hundred thousand, and you won’t be as wealthy as Fox, but you’ll do okay. And now if you get a slice that’s that small and still viable — and you know it’s not like when we just had NBC, CBS, and ABC. That’s all there was. Everybody had enough market share that they knew would guarantee some comfortable level of profit. And yet there was enough competition that everybody could keep each other honest, and when the Vietnam War came along, they could send fifty-five-year-old reporters to Vietnam for extended stays. They could afford to have correspondents in Europe to report. Correspondents in Asia. All that’s changed now. And so the good news is you can get a lot of information off the Internet for free and in a hurry. But I think the breaking up of the media, which is otherwise kind of healthy, has contributed to less actual reporting and a louder, more contentious, more divisive public discourse, highlighting conflict, sometimes falsely.
Reblogged from brooklynmutt with 110 notes / Bill Clinton USA Politics Opinion Interview News Long Reads Media
Woody Allen: Rabbit Running
Well, according to Woody, his ascent has been a series of painful falls. Success hasn’t changed him, Allen insists: he’s still a schlemiel. “I’m afraid of the dark and suspicious of the light,” he says. “I have an intense desire to return to the womb—anybody’s.” Ineptitude, Woody goes on, is a family curse.
Time | Jul 1972
Reblogged from longform with 5 notes / Interview Long Reads Woody Allen Film
Mark Zuckerberg, June, 2005
Reblogged from soupsoup with 94 notes / Mark Zuckerberg Facebook Social Media Interview
An eccentric is a person whose mind and senses are excited by things that the average citizen does not even notice. And, per contra, the average eccentric— for there are many of us, of diffйrent waters and magnitudes— is utterly baffled and bored by the adjacent tourist who boasts of his business connections. In that sense, I often feel lost; but then, other people feel lost in my presence too. And I also know, as a good eccentric should, that the dreary old fellow who has been telling me all about the rise of mortgage interest rates may suddenly turn out to be the greatest living authority on springtails or tumblebugs.
Having to clean my teeth and look after my health.
What is the trait you most deplore in yourself? Mark E. Smith answers the Proust Questionnaire.
Reblogged from frontofbook with 3 notes / Music Mark E. Smith The Fall Interview
Nick Hornby interviews The Wire creator David Simon
My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.
Reblogged from brainfo with 107 notes / Nick Hornby David Simon Interview The Wire
NYMag Profiles Louis CK | One-Man Show
Television showrunners are notorious multitaskers, with the most successful able to toggle easily between the roles of CEO and auteur. But Louis’s work on Louie requires a whole different level of personal oversight. The show is based on his life. Louis is the director. He’s also the only writer, the sole editor (he no longer shares duties with the co-editor he had last season), not to mention the person who oversees music (when the music guy’s budget ran out, he decided to do it himself). He also hired his own casting team: Last season, he turned down FX’s offer to help out and doesn’t inform them about casting in advance. But perhaps the most unusual aspect of the show is that Louis C.K. gets no notes from the network during filming, no script approval—an unheard-of “Louis C.K. deal” that has made him the envy of comics and TV writers alike. It’s a situation Louis is not taking for granted.
Reblogged from peterwknox with 103 notes / Louis C.K. Interview Television
Much of our modern theater seems rooted in the Shakespearean discovery of the modern mind. We’re stealing instead from an earlier, less-traveled construct—the Greeks—lifting our thematic stance wholesale from Aeschylus, Sophocles, Euripides to create doomed and fated protagonists who confront a rigged game and their own mortality…
But instead of the old gods, The Wire is a Greek tragedy in which the postmodern institutions are the Olympian forces. It’s the police department, or the drug economy, or the political structures, or the school administration, or the macroeconomic forces that are throwing the lightning bolts and hitting people in the ass for no decent reason… Because so much of television is about providing catharsis and redemption and the triumph of character, a drama in which postmodern institutions trump individuality and morality and justice seems different…
